If it is enabled (you’ll see a check icon next to it,) simply click on it to disable it. Right-click on your layer and look for Lock in the menu. The layers tab is located on the right-hand side of the screen. Navigate to the right-hand side of your screen to the Layers tab. This is because editing pixels requires different tools than you would typically use for editing vectors. Once opened, you should immediately notice that the tools on the left-hand side of your screen have changed. It is representing by a series of colored boxes: The Pixel Persona can be accessed using its designated icon in the top-left corner of the screen. All of the recent vector graphics on this site have been created in Designer.To access the Pixel Persona, look for the icon in the top-right of your screen. They're fantastic and, if you're in the market for an Adobe replacement, well worth checking out. However, I love Affinity Photo and especially Designer. I used Publisher to package up the Sketchy Setups ebooks but they were pretty simple so I can't give a terribly educated opinion on its use yet. As well as Photo, Affinity Designer is a fantastic vector illustration app (their Illustrator competitor) and their, relatively new, Affinity Publisher is their InDesign competitor. The end result here seemed to have far fewer artefacts and required a lot less clean-up and erasing of dust and dirt.īy the way, I have only good things to say about Serif's Affinity range of applications. Surprisingly (to me) I found this to be a much cleaner result than the (quite different) method I'd learned for Photoshop. The last couple of copy/paste steps were manual. I was able to automate up to the Select Tonal Range step. I'm not sure why (remember, I don't know what I'm doing). It's possible to build a macro for most of this process in Affinity Photo. It's completely separated from the background and you're free to colour underneath You can paste this copied selection into a new document as your inks or line art.At this point, I choose to Merge Visible layers into a pixel layer.Apply Threshold Adjustment to get pure black and white.Use the sliders to lower the Blues (and greens if needed) to remove pencil lines. Apply Levels Adjustment to make whites a lot whiter and blacks a lot blacker.Apply Brightness/Contrast Adjustment to make a whites a little whiter and blacks a little blacker.Duplicate background layer after opening.I saved my scans as TIFFs and opened in Affinity Photo.Hopefully it'll be useful to others.ĭisclaimer: I have only the slightest clue what I'm doing so it's possible there's a much easier/better way. So, because the internet currently has nothing on how to do this in Affinity Photo, I'll outline my method below. Instead, after some desperate googling turned up nothing useful, I had to figure out something new. If I were more experienced in its use, I'd guess I could have figured out how to transpose the Photoshop method I'd been shown but it involved messing about with new channels and other stuff above my pay-grade. Being able to 'filter' the blue out of the scanned pages means I don't have to rub my way through three erasers to get rid of pencil lines. I pencil them in blue before going back over in black ink. As a slight aside to explain: My Sketchy Setups guides are all hand-drawn.
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